| Rogue Element Films |
| Resources & Downloads . . . |
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| This marks a real watershed in the progression of Independent Digital Cinematography allowing for 35mm Film Lenses as well as fully uncompressed data capture from Stwo DFRs, as used by David Fincher. |
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| Rogue is now the only Digital Film Company in the world to offer the F35 in both its native SR capture format or as uncompressed DPX digital negative data. |
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| Download PDF Files |
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| F35 Brochure |
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| F35 Product Information |
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| This exciting new camera can record Dual Link 444 1080 24/25P Log images with its Cine S-Log setting as well uniquely record to SR tape 50/60P images at both 422 and 444 colour space. This enables slow motion content to be recorded direct to the SR tape format via internal hardware boards giving you instant results on set and playback in slow motion, no software rendering or waiting times. |
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| Download PDF Files |
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| Currently the only 4:4:4 Digital Cinematography Camera to offer RAW/LOG capture, bypassing the cameras colour correction circuitry and recording picture information gathered directly from the CCD |
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| This camera also records full 16:9 or, without any different lenses, a full 1080 like aanamorphic 2.37:1 aspect ratio, achieved using Thompsons DPM technology. |
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| Download PDF Files |
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| Viper Brochure |
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| Viper FAQ |
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| Viper Filmstream Info |
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| Viper Filmstream HD |
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| Viper Product Data Sheet 2007 |
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| Venow Flashpack 2007 |
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| Stwo Take2 DFR Digital Data Recorders |
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| Stwo offer a unique way in which to capture digitally. By capturing fully uncompressed data from the Viper we can now, in real time, take each DPX frame captured (The Digital Negative) and manipulate on set and in post in true real time conditions. Read the PDF files here for more information on data workflows for Digital Film. |
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| Download PDF Files |
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| Third-Party integration featuring S.two |
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S.two metadata -
collection, transmission and sharing |
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| HD, RGB and 2K Data |
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| Currently the best 2/3" lenses on the market. Used in all superior digital Viper films including Collateral, Miami Vice 2006 and David Finchers upcoming 'Zodiac'. These really are the best lenses, flat field and perfect for 4:4:4 green/blue screen work. |
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| Zeiss Digiprimes |
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• High Performance HD Monitoring
• HD-SDI , Dual Link and DVI input / output
• YCbCr or RGB at 8 or10 bits linear or logrithmic
• Integrated OmniTek™ waveform monitor and vectorscope
• 3D LUT for color pre-visualization
• Full 1920 x 1080 resolution on 24" display
• LCD calibration for gamma, white point, luminance level
• Superior black level performance
• Gigabit and wireless network connectivity
• Seamless integration with existing equipment through web-appliance interface
• Frame capture/store locally, to network device or USB data key
• Quantitative digital video analysis
• Rugged construction for field applications |
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| Download PDF Files |
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| Cine-Tal |
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| Sony SRW-1 HDCAM SR 4:4:4 RGB Field Recorder |
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| The very best tape based field recorder in todays market. It records to Sony's HDCAM SR tape stock allowing ful 4:4:4 RGB image capture. |
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| Used by feature films for capture and also for OI to filmouts. King Kong, Miami Vice 2006, Superman Returns, Apocalypto, Da Vinci Code have all used HDCAM SR. |
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| SRW1 Advert |
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| SRW System Diagram |
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| Sony HDCAM SRW1 |
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| Colour correction suite. Grab images from the daily rushes and use speedgrade to colour correct (Grade) to your look. Save these images to email or keep on disc for your grading post production facility to see your colour requirements for each scene. |
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| Download PDF Files |
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| Getting Stared with OnSet |
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