| Rogue Element Films |
| News and Press . . . |
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| Rogue Element Films in the Press . . . |
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| Reel World Magazine |
| September 2008 |
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| In the first of 2 related programmes, Ralston Humble reviews the Sony EX3, and then in the second he is joined by Phil Streather as they assemble the P+S Technik 3D Stereo Rig with 2 EX3 Cameras, while Phil explains the principle behind mirror rigs... |
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| HD Magazine NAB 2008 Special... |
| Maturing Digital Workflows |
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| Dan Mulligan, MD of Rogue Element Films explores new and maturing workflows that apply to all Digital Film shoots and how things are changing. |
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| Press Release... |
| Rogue Element Films purchases S.two digital film system for uncompressed production and post |
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| Reno, NV 14th February 2008 – S.two Corporation has announced that Rogue Element Films, one of the UK’s most progressive production companies, has become the first independent production facility to invest in a complete S.two uncompressed digital film production and post system. |
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| Data Mining . . . |
| Definition Magazine - 2007 |
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| DAN MULLIGAN Investigates How Films Like Zodiac Are Using Data As A Capture Medium |
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| Lut Game . . . |
| Definition Magazine - 2007 |
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| Dan Mulligan Of Rogue Element Films Gives His advice On The Use And Abuse Of Look Up Tables (LUTs) in Digital Cinematography |
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| Jan 2007 . . . |
| Shooting with HD Cameras |
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| High definition is now in daily use for production across a range of programming, including dramas, documentaries, features and corporate projects. |
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| High Definition Magazine - |
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| Keeping It Portable - DoP Dan Mulligan of Rogue Element Films Evaluates the Venom Flashpak while shooting on Last Of The Summer WineMetadata |
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| Showreel Supplement |
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| Moving up in the world |
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| Dan Mulligan assesses the technical merits of the Cinealta 750P and F900 HD cameras, and offers an opinion on the suitability for each when shooting different genres. |
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| IRIDAS Spotlight |
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| On set with SpeedGrade OnSet - six filmmakers talk about their experiences . . . |
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| New Look for Summer . . . |
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| The new series of Last of the Summer Wine is going to be shot on the Grass Valley Viper. Dan Mulligan details the tests he carried out and outlines his reasons for choosing this new workflow. |
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| Viper Takes Summer Wine |
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TVB Europe The Workflow: HD Production.
The Thompson Viper Filmstream has replaced from Sony's HDW-750 to shoot venerable sitcom Last of the Summer Wine . . . |
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Broadcast HD Stories -
Interview - The Cinematographer |
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| With two BBC series and a pop promo under his belt, DAN MULLIGAN is well versed on the benefits of high def. His top tips: trust the camera and don’t skimp on your lens |
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| Shooting uncompressed |
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| Dan Mulligan shoots with the Sony F900 alongside its higher-spec cousin, the F950. Here he details his experiences of working with the two cameras. |
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| Zerb Magazine |
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| Getting to grips with the Viper . . . |
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