| Rogue Element Films |
| Kit List . . . |
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| Rogue Element Films, the worlds most progressive supplier of high end Digital Cinematography hardware and workflows is pleased to announce the arrival of the very first Sony F35 S35mm CCD system from Band Pro. |
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| This marks a real watershed in the progression of Independent Digital Cinematography allowing for 35mm Film Lenses as well as fully uncompressed data capture from Stwo DFRs, as used by David Fincher. |
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| Rogue is now the only Digital Film Company in the world to offer the F35 in both its native SR capture format or as uncompressed DPX digital negative data. |
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| Leading Independant Digital Film supplier Rogue Element Films is announcing the aquisition of a new 444 camera system from Sony, the F23. This exciting new camera can record Dual Link 444 1080 24/25P Log images with its Cine S-Log setting as well uniquely record to SR tape 50/60P images at both 422 and 444 colour space. This enables slow motion content to be recorded direct to the SR tape format via internal hardware boards giving you instant results on set and playback in slow motion, no software rendering or waiting times. |
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| Also we can record to disk via Stwo's DFRs. These recorders can record fully uncompressed DPX frames from the F23 up to 50/60P in 422 and instantly playback on set at any selected speed. |
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| We are the only company in the world offering both HDCAM-SR and Digital Data Recording for all our camera systems and have custom workflows developed for all systems. Our unique position within the industry allows us to offer the very best in Digital Cinematography being complemented by our Digital Film Laboratory based at Pinewood Studios. |
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| Rogue Digital Films firmly believes in high end digital capture as Digital Film Capture and treats each developed DPX frame as a Digital Negative. |
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| To preserve and record this captured data we have a brand new Venom Flashpak, great for steadicam and handheld work untethered, recording 10 mins of 444 1080P images and 18 mins at 422. Also for full back-up of the captured data we introduce Stwo's i-Dock, A-Dock and LTO3 archiving solution. This backs up all your recorded DPX files to LTO3 magnetic data tape, essentially your Digital Negative. |
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| Grass Valley Thompson Viper |
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| Grass Valley Thompson Viper Digital film camera. |
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Filmstream - RAW, unprocessed, uncompressed 4:4:4 RGB
RGB - 4:4:4 with colour processing
HDStream - component 4:2:2 stream with no processing
YCrCb - 4:2:2 with colour processing |
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| S.two Take2 DFR (Digital Film Recorder) |
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| Fully uncompressed DPX data capture onto Digital Dmags |
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| Sony SRW-1 HDCAM - SR444 |
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| Full 444 RGB colour space recording onto HDCAM SR tape stock. Comes with SRPC-1 processing deck. |
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ZEISS DigiPrime &
DigiZoom Lenses,
DigiMutar and
Digi Diopters |
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| Still proving to be the very best in Digital Cinematography lenses, the Zeiss Digi range of lenses are unsurpassed in thier quality. As used on all Digital 2/3" Productions (Zodiac, Speedracer, Miami Vice, Benjamin Buttons, Collateral) these lenses truly are the Digital standard. We employ the full range of these lenses including the new 17-112mm Zoom, 6-24mm Zoom and the 70mm Prime. To compliment these we have the 1.4x Mutar and the +1 & +2 Dipoters. |
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| CineTal Cinemage 444 Monitor |
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| With LUT and Speedgrade. Grade1 LCD onset monitoring, the very best on the market today. |
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| DSR-45P DVCAM player/recorder |
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| SRW5500 Studio Deck- 444 SR Playback for Dailies |
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| Astro 6" HD Waveform Monitors |
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| Astro 8" Waveform Monitors |
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| 17" HDLINE Viewing Monitors |
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| All extension cables, leads, clamps, spare batteries, generators, lighting, audio etc. |
